Papercut Roses

Posted by on Jun 7, 2011 in Ketubah Art, News | 0 comments

Papercut Roses

  Entering into a second marriage, this couple was interested in acknowledging their new blended family and chose to represent themselves and their five children with one papercut rose each.   The non-traditional, all English text of this document indicates a direction that some people are taking when dipping into a two thousand year old formula and finding a personal voice. Papercut art has a long history in the Jewish world, and this use of an Arts and Crafts architectural format and color palette in a meaningful Jewish document is in perfect keeping with the way in which ketubah art has always offered a snapshot of Jewish life set in time and place.  After the design of such a papercut work, the most painstaking part of the execution is in fitting the color behind the piece.  With only thin lines separating segments, the painted colors must be cut and set in on the back of the work with meticulous care. I work with a wide range of lettering styles (referred to as ‘hands’) in both Hebrew and English.   This had is a modernized form of Carolingian English lettering, which seems to work well with the overall...

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Ketubah of the Cosmos

Posted by on Jun 7, 2011 in Ketubah Art, News | 0 comments

Ketubah of the Cosmos

About-to-be world travelers and visionary activists, this couple had a very clear ‘look’ in mind, but left the details to me.   The background painting was built up with multiple washes of watercolor until the saturation of color was deep enough to hold the white lettering.  Gold leaf applied to a splattering of gesso added just the right touch to the depth of rich color. This is really a very simple piece but spectacular because it is vivid and deep.  The watercolor was ‘worked’ on the surface while wet to create unusual textures and...

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A Year in Trees Ketubah

Posted by on Jun 7, 2011 in Ketubah Art, News | 0 comments

A Year in Trees Ketubah

The bride came to me with a picture of her parents’ ketubah, and asked that I create a parallel piece.  They simply wanted a very large oval ketubah with stylized trees around it – like her parents’.   With a few sketches I was able to show them that ‘like’ doesn’t have to mean ‘the same,’ and I took off on designing very different and uniquely individual trees to ring the ketubah. No two trees are alike, and each one moves visually ever so slightly towards the next season.  Even in the deep winter section, the trees hold tight buds, anticipating spring.  The color palette is emphasized by introducing color each time the name of the bride or groom appears in the body of the ketubah, as was the couple’s request. So detailed is the ketubah art that a full year after the wedding, the bride and groom had still not located the tiny Goldfish cracker that they’d requested be tucked into the design.  I assured them it was there and that they should scrutinize the autumn...

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Star Ketubah

Posted by on Jun 7, 2011 in Ketubah Art, News | 0 comments

Star Ketubah

A precious piece of jewelry that the bride’s late grandmother had given her became the inspiration for this ketubah.  It was a simple silver star with each of the six segments slightly raised on one edge to catch light.  The effect was something like a pinwheel.   Because the couple wanted a spectrum of color, we decided to divide the star into twelve segments for more subtle color changes. Then the issue of math raised its head.  After engaging my spouse’s number skills and watching pages fill with formulas to answer the question about fitting the text exactly into the star shape, I decided to tackle it myself.  I wrote out the entire text, and then cut it up into sections and shifted the pieces around until I had a star filled with snippets of text.   That gave me the dimension of the star and the letter height and spacing I’d be using. This ketubah was the only one I’ve ever crafted in total silence.   No books on tape, no favorite music, no nothin’!   The changes around the spectrum often split individual letters into two, and closer to the center, even three different colors per letter, so I could leave nothing to chance.   It took total concentration to move those words around the...

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