Brokerage Fees and Investment Commissions Explained
The Ascent is a Motley Fool service that rates and reviews essential products for your everyday money matters. Rates for renewals on whole life insurance typically drop to the neighborhood of 7%, and rates for other types of policies, such as worker’s compensation or general liability, range between 5% and 15%. Brokers get paid in a variety of ways, depending on the type of work they do, the customs of the industry they work in, and the fee agreement they negotiate. If someone is managing your money — whether a human or robo-advisor — you’re likely paying for it. Fidelity and Merrill Edge both score high on this in NerdWallet’s ratings. REAL Broker has a $12,000-year cap for all solo agents, a $6,000 cap for any agent on a team or a $4,000 a year cap for agents on a mega team. Whether you’re interested in purchasing business insurance or expanding the benefits offered to your employees, understanding the ins and outs of your options is essential to getting the coverage you need. Because they know the market, they’re able to recognize the difference between a great policy and one that is simply adequate. Because they know the law, they’ll be able to protect your business from accidental exposure to serious liabilities, such as bank debt or accounts payable debt. However, fees can sometimes be higher than commissions when all is said and done. Whether you’re looking for assistance understanding the technical minutiae of a certain policy or are starting your search from scratch, an insurance broker can make your journey significantly easier. Robinhood Gold is an account offering premium services available for a $5 monthly fee. Additional interest charges may apply depending on the amount of margin used. He’s a graduate of the University of South Carolina and Nova Southeastern University, and holds a graduate certificate in financial planning from Florida State University. One smart move is to thoroughly read a broker’s pricing structure before opening an account. Some brokers — especially those that are designed with frequent traders in mind — charge an inactivity fee if your account remains idle for too long. A clear standout for a modern investing experience, particularly for beginner and long-term investors. The ability to buy fractional shares, as well as the ability for everyday investors to participate in IPOs, bolsters our overall opinion. Copyright ©2024 MH Sub I, LLC dba Nolo ® Self-help services may not be permitted in all states. The broker may earn a commission of $100 for helping to make the transaction. Add the .02 percent commission and the broker earns $100, with a $5,100 total trade cost. This example doesn’t take into account any advisory fees that may be imposed on a managed account. In some cases, the brokerage fee is split between the buyer’s agent and the seller’s agent. In today’s rapidly evolving corporate landscape, the recognition and integration of neurodiverse… When you start looking for a new place to live, you might want some expert help. He or she basically acts as a middleman between you and a potential landlord. Investors can use FINRA’s Fund Analyzer to analyze and compare the cost of owning different funds. SmartAsset Advisors, LLC (“SmartAsset”), a wholly owned subsidiary of Financial Insight Technology, is registered with the U.S. Commissions for commercial real estate sales typically range from 3% to 6% of the sale price paid at the close of the sale. There’s several key items that may have an impact on what brokerage fees are charged. Generally speaking, the more critical ones are listed below, though this list is not...
Read MoreAltyapı Sorgulama, Fiber Altyapı Sorgulama
Altyapı Sorgulama, Fiber Altyapı Sorgulama İnternetin belirli bölgelere ve adreslere ulaşması için kullanılan sistemdir. İnternet altyapısının, bölgelere ve adreslere ulaşması için bakır veya fiber optik kablolar kullanılır. İnternet altyapılarında, bakır altyapı ADSL olarak adlandırılırken, cam veya plastik altyapı Fiber olarak adlandırılır. Paylaştığınız bilgiler size en uygun teklifleri sunmak üzere Merkür Net sistemlerine aktarılacaktır. Başvurunuz esnasında paylaşacağınız bilgiler Merkür Net ürün ve kampanyaları hakkında tarafınıza bilgi verilebilmesi ve iletişime geçilebilmesi amaçlarıyla istenmektedir. Tarafından işlenecek ve belirtilen amaçlar haricinde kullanılmayacaktır. Kişisel Verilerin Korunması Kanunu kapsamında sahip olduğunuz haklarınız için buraya tıklayın. Bu işlem için de yine altyapı sorgulama sistemine girdikten sonra, karşımıza çıkan Adres Bilgisi ile Sorgula ve Telefon No ile Sorgula seçeneklerinden bu sefer Telefon No ile Sorgula seçeneğine tıklayın. Bahis sitesinin hangi altyapıyı kullandığı genellikle Bahis Sitesine girdikten sonra sayfanın aşağısına indiğinizde sizleri casino sağlayıcıları, yatırım yöntemleri, lisans logosu ve altyapı adı karşılayacaktır. Yalnız casino sağlayıcıları ile alt yapıları karıştırmamanız gereklidir. Size önerilen tarife hoşunuza gittiyse, tüm bunların altında yer alan Hemen Abone Ol butonundan başvurunuzu iletebilirsiniz. Ayrıca diğer tarifeleri görmek, daha detaylı bir başvuru yapmak için “3 Adımda Nasıl TurkNet’li Olurum? Buna karşın son bir şans vererek sitelerin canlı destek hatlarından lisans içerikleri hakkında bilgi edinmeyi sağlamaya çalışmak da alternatif yöntemlerden biridir. Peki madem bu bahis lisansı belgesi herhangi bir legal zeminde işe yaramıyorsa kaçak bahis siteleri neden tonla para harcayıp bu lisansı alırlar? Bunun sebebine gelecek olursak lisans prosedürü büyük altyapıların bünyesinde bulundurdukları sağlayıcıların şart koştuğu bir olgudur. Örneğin bir pronet gaming altyapısının getirmiş olduğu zorunluluk sebebiyle hizmet alan firmaya lisans şartı getirir. İnternetin bazı bölgelere veya adreslere ulaşması için kullanılan sisteme ait yapılan sorgulama işlemine, ‘’internet alt yapı sorgulama’’ denir. Sizler de böylelikle mostbet giriş seçimi yaparken altyapısına dikkat etmeyi unutmazsınız. Böylelikle bahis altyapıları tarafından yazılımları yapılan ve bahis firmalarının da bu altyapıları satın alarak kendi sitelerinde belli özelleştirmeler yaparak müşterilerine sunmasıdır. Bahis sitelerinin lisans teminleri için bir başvuru ve ödeme süreçleri bulunmaktadır. Ödemeler ise döviz üzerinden yapıldığı için bir hayli tuzlu rakamlara mal olmaktadır. Ayrıca iki aşamanın geçilmesi demek anında lisans edinimi anlamına da gelmemektedir. Çünkü talepler çerçevesinde gönderilen komisyonlar siteleri incelemektedir. Gereken güvenilirlik kıstaslarına sahip olmayan adreslerin lisans onayı verilmemektedir. Anlatılan nedenler çerçevesinde dolandırıcı bahis sitelerinin lisans almaları mümkün değildir. Türkiye’de lisanssız bahis siteleri ve lisanslı bahis siteleri ayrımı söz konusu. Bu ayrım, sistemlerin güvenilirliklerini ölçmek ve hizmetlerindeki kaliteyi anlamak için kullanılan bir çeşit tanımdan ibarettir. Şimdi dilerseniz, canlı bahis siteleri içerisinde hangi sitelerin lisanslı olduğunu öğrenelim ve bu siteleri tanıyalım. Pek çok insanın aklında lisanslı bahis siteleri arasında en güvenilir olanının hangisi olduğu sorusu bulunmaktadır. Türkiye’den üye kabul eden 2023 lisanslı bahis siteleri arasında güvenilir hizmet sunmaktan geri kalmayan pek çok canlı www.museojulioromero.org mevcut. Bizler uzun süredir sektör deneyimi olan ekibimiz ile güvenilir lisanslı bahis siteleri listesini paylaştık. Lisanslı bahis siteleri listemizde yer alan tüm siteler %100 güvenli sitelerdir. Gerçek manada lisanslı bahis siteleri güvenilir midir ve bahis sitelerinin lisanslı olup olmadığı nasıl anlaşılır sorularını yanıtlamak gerekirse öncelikle lisans her daim güvenlik garantisi vermektedir. Fakat sitelerin gerçekten lisans sahibi olmaları ve sahip oldukları lisansları kullanıcıları ile paylaşmaları lazımdır. Yani bir sitede lisansın doğrulama linki, seri numarası, adresi ya da firma bilgileri yer almıyorsa güvenirlik tam manası ile sağlanmış kabul edilmemektedir. Kullanıcılar son zamanlarda sayısı bir hayli çoğalan bahis sitelerinin hangisini seçeceği yönünde kuşku içerisinde. Bu kuşku ise beraberinde parama çöktüler, illegal bahis siteleri paramı ödemiyor gibi sorunları getirmekte. Bu konumuzda lisanslı canlı bahis siteleri ile lisansı bulunmayan firmalar arasındaki farkı anlatmaya çalışacağız. Lisans analizlerinde ise mutlak suretle doğrulama linklerinin kontrol edilmesi istenmektedir. Çünkü doğrulama linklerinin olmaması demek çoğunlukla lisansın bulunmadığına işaret etmektedir. Altyapı sorgulama sistemine girdikten sonra, karşımıza çıkan Adres Bilgisi ile Sorgula ve Telefon...
Read MoreSoftware Testing: Defect, Bug, Error, And Failure Baeldung On Laptop Science
A defect is a deviation from the anticipated conduct in a software utility, and it arises due to flaws in the code or design. When it involves latent defects, they remain dormant and will only turn out to be evident when specific circumstances or triggers are met. Bugs can attack your software at any time especially when you don’t count on to satisfy them. Agile methodologies, corresponding to Scrum and XP, involve continuous testing and integration, which allows defects to be discovered and addressed early in growth. Once the defect has been verified, it’s marked as “Closed” within the defect monitoring software. The defect is considered closed when it meets the criteria for closure, corresponding to passing all the related check circumstances and receiving approval from the project supervisor. For example, a tester may verify the fix for the above-mentioned defect by repeating the steps to reproduce the issue and checking that the software program no longer crashes when clicking the “Save” button. In this section, the project manager critiques and assigns the defect’s severity and precedence. Now that bugs have been identified and related information has been recorded, knowledgeable decisions could be made about resolving each defect. Naturally, fixing errors early on within the process help save value and effort as a result of errors are probably to amplify because the software becomes extra advanced. This article will take readers through https://www.globalcloudteam.com/ the basics of the defect management course of and its function in creating usable, interesting, and value-driven software. In an ideal world where testers’ lives are easy, the software is developed and handed through comprehensive verification on real units shortly, effectively, and without flaws. Latent And Masked Software Bugs: What’s The Difference? Defects are errors or flaws in software program that trigger it to behave in one other way from the expected or specified requirements. Defects can affect the standard, performance, safety, and usefulness of software, and may lead to buyer dissatisfaction, elevated costs, and delayed delivery. Software testing is the process of finding and fixing defects before they reach the end customers. Testers can simply point out the name or position of an element, and testRigor’s AI will capture its locators mechanically. This approach simplifies check creation and enhances the steadiness and maintainability of the automation scripts. Furthermore, testRigor’s visual regression capabilities are instrumental in detecting visible inconsistencies and surprising behaviors which will indicate the presence of hidden flaws. Maked Defect Infographics Organizations can substantially scale back their incidence with rigorous processes, user suggestions, and a commitment to steady improvement. Remember, the final word aim is to make sure the end-user has a seamless expertise. While it’s impossible to guarantee a product free from defects, a proactive stance using modern take a look at automation instruments like testRigor can minimize their impact. These points go undetected and survive rounds of testing and, therefore, are troublesome to pinpoint. However, listed right here are some signs that, if noticed in your system after getting used for a while, are likely attributable to latent defects. They are these errors within the system that stay undiscovered, even after the product is released. The two have in widespread that they must be identified and stuck by testing groups. In other words, if an internet site or app capabilities in a different way from what users count on, that exact variation would be considered a defect. For example, if the vast majority of buyer complaints concentrate on one side of a product then a short improvement initiative could be nicely spent solely in bettering quality round that aspect. It would possibly imply...
Read MoreHow Do Neural Networks Work? Your 2024 Guide
This type of neural network uses a reversed CNN model process that finds lost signals or features previously considered irrelevant to the CNN system’s operations. Using different neural network paths, ANN types are distinguished by how the data moves from input to output mode. Convolutional neural networks (CNNs) are similar to feedforward networks, but they’re usually utilized for image recognition, pattern recognition, and/or computer vision. These networks harness principles from linear algebra, particularly matrix multiplication, to identify patterns within an image. Machine learning and deep learning models are capable of different types of learning as well, which are usually categorized as supervised learning, unsupervised learning, and reinforcement learning. Supervised learning utilizes labeled datasets to categorize or make predictions; this requires some kind of human intervention to label input data correctly. In contrast, unsupervised learning doesn’t require labeled datasets, and instead, it detects patterns in the data, clustering them by any distinguishing characteristics. Reinforcement learning is a process in which a model learns to become more accurate for performing an action in an environment based on feedback in order to maximize the reward. Also referred to as artificial neural networks (ANNs) or deep neural networks, neural networks represent a type of deep learning technology that’s classified under the broader field of artificial intelligence (AI). Neural networks are sometimes called artificial neural networks (ANN) to distinguish them from organic neural networks. Convolutional Neural Networks A data scientist manually determines the set of relevant features that the software must analyze. This limits the software’s ability, which makes it tedious to create and manage. Neural network training is the process of teaching a neural network to perform a task. Neural networks learn by initially processing several large sets of labeled or unlabeled data. Neural networks, on the other hand, originated from efforts to model information processing in biological systems through the framework of connectionism. Unlike the von Neumann model, connectionist computing does not separate memory and processing. More specifically, the actual component of the neural network that is modified is the weights of each neuron at its synapse that communicate to the next layer of the network. Neural networks are trained using a cost function, which is an equation used to measure the error contained in a network’s prediction. As you might imagine, training neural networks falls into the category of soft-coding. When visualizing a neutral network, we generally draw lines from the previous layer to the current layer whenever the preceding neuron has a weight above 0 in the weighted sum formula for the current neuron. Training A Neural Network Using A Cost Function In the hidden layer, each neuron receives input from the previous layer neurons, computes the weighted sum, and sends it to the neurons in the next layer. Deep neural networks consist of multiple layers of interconnected nodes, each building upon the previous layer to refine and optimize the prediction or categorization. This progression of computations through the network is called forward propagation. Inputs that contribute to getting the right answers are weighted higher. Deep Learning and neural networks tend to be used interchangeably in conversation, which can be confusing. As a result, it’s worth noting that the “deep” in deep learning is just referring to the depth of layers in a neural network. A neural network that consists of more than three layers—which would be inclusive of the inputs and the output—can be considered a deep learning algorithm. What are the types of neural networks? These include gradient-based training, fuzzy logic, genetic algorithms and Bayesian methods. They might be given some basic rules about object relationships in the...
Read MoreAdvantages and disadvantages of Entityframework by Anandu
Select the Leavedetail entity, right-click and select the option “Include Related” to include the employee entities in the second diagram. EF allows developers to work with a higher level of abstraction, enabling faster development by reducing the need for writing low-level data access code. It comprises of the tables, views, relationship keys and stored procedures. It is derived from Object-Relational Mapping programming technique, outlines the entities and its relationship with each other. Instead of adding each value, we can refer an external type using the ‘Reference external type‘ option. This will generate the DDL statements, and the generated script will be added to the solution as a script file. In order to create the model, you should create an empty ASP.Net project in Visual Studio and add a new ADO.Net Entity Data Model, which for this example we’ll call ModelSample. Developers might have limited control over the generated SQL queries, leading to inefficiencies in query execution plans in some cases. Complex queries might not be efficiently translated into SQL, leading to suboptimal database queries. SQL Update With JOIN Techniques for Efficient Data Management When you save all the changes in your ORM to the database, the ORM will automatically generate insert/update/delete statements, based on what you did with the objects. Coming from a DataCentric approach, I will always find it strange the people like to create in a Code First Approach. When I design my database, I am already thinking about what each of the tables are as if they were classes anyway. I personaly would normally use the entity framework for new development but not rewrite working existing code. You then get the speed for future delelopment but dont have to invest lots of time converting code. Given the disadvantages of Model-First, we can think that Database-First might be the way to go. Entity Framework is an open-source object-relational mapper framework for .NET applications supported by Microsoft. It increases the developer’s productivity as it enables developers to work with data using objects of domain-specific classes without focusing on the underlying database tables and columns where this data is stored. It eliminates the need for most of the data-access code which is used to interact with the database that developers usually need to write. It provides an abstract level to the developers to work with a relational table and columns by using the domain-specific object. It also reduces the code size of the data specific applications and also the readability of the code increases by using it. Walk through – Creation of Model First Writing raw SQL might be necessary for certain complex scenarios. EF might introduce performance overhead due to abstraction layers, resulting in slightly slower performance compared to hand-tuned SQL queries in some scenarios. It provides unique syntax (LINQ/Yoda) for all object queries, both inside and outside of the database. The pros/cons presented here are not all inclusive, and may or may not be issues depending on what you are trying to do. Users seems to agree that it is a wonderful prototyping tool when your dataset is small. Once it is bigger and more customization is desired, there seem to be more issues with the technology to consider in determining if it is the right tool for you. If I had to create the whole system in code first to generate the database, as well as all of the other items then I would image it taking a lot longer. I am not saying that I am right in any terms, and I am sure that there are probably faster and more experienced ways of developing systems, but so...
Read MoreAbout Me
What’s Susan up to?
Penn State Center for Holocaust and Jewish Studies will host me as I present a solo program of song and history focusing on the roots of Eastern European Jewish music and related songs.
I have the honor of presenting this year at the annual American Folklore Society's conference. A lecture on papercut arts around the world and a demonstration of my own work will take place during the conference on October 22, 2021!
ELEVEN languages and counting! Over the years, I've crafted ketubot that honor many cultures. In addition to the expected Aramaic, modern Hebrew, English, and even Yiddish, I have included Korean, Kannada, Latin, Arabic, and even the Telugu seen in the cropped image above! What a joy this has been!
What a wonderful experience I shared with the community of Las Cruces, NM and the Guild of American Papercutters when I presented an hour-long lecture on the worldwide history of papercut arts on March 16, 2021. This was in conjunction with the museum's show of Islamic papercut art. We looked at tools, traditions, and especially shared visual vocabularies from India to Mexico, from Persia to China and beyond!
February 18, 2018 - Susan will be hosted by the Sholem Aleichem Center in the Bronx for a concert. Come for a shmuez (a chat) and stay for the music!https://www.pineclubgolf.com/best-electrical-push-carts/
As part of the Sacred: Image, Text, Ritual exhibit at Lebanon Valley College, Susan will be presenting a lecture recital titled "Words as Homeland: Where Jewish Text, Art, and Song Converge to Express a Culture." Thursday, February 8, 2018, 5 pm at the Zimmerman Recital Hall.
A wonderful arts residency in Teaneck, NJ at Congregation Beth Sholom concluded with a full concert, accompanied by Adrian Banner on Piano. Enthusiasm and learning flowed back and forth the entire time. Fabulous community!
What a great night at the Jalopy in Brooklyn on June 16, 2016 as my new trio with Lauren Brody and Jake Shulman-Ment stepped out to strut our stuff! Many languages, many musical cultures, and great joy in blending our voices and instruments.
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In the beautiful summer landscape of Rindge, New Hampshire, I was privileged to teach traditional Jewish papercut arts at the annual National Havurah Committee's Summer Institute. We turned a large, sunny room into an art studio, and the class burst into enthusiastic art creation. I love the celebratory greeting of everyone's creations as skills and appreciation deepen over four days of classes. I'll come to you! Just ask!
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Back to the Catskills, this time teaching for HAZAK, a group under the umbrella of United Synagogue that offers among its programs an annual summer week of learning and camaraderie. I used my lecture/recital format to widen the world of Yiddish song for about 150 life-long learners as we studied, laughed, sang a bit, and grew to know one another in Kerhonkson, NY.
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When Nancy Spielberg screened her film Above and Beyond in Harrisburg's Chisuk Emuna Congregation, I was tapped to create a papercut gift for her. I chose the color scheme of her promotional material and the Hebrew words which translate into "Be strong... and strengthen one another." The filmmaker and I are shown here. (photo by Josh Damrauer)
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Each year the myriad of faith communities in the Harrisburg region come together to celebrate in song. Here's an image of my participation, sharing the beauty of Yiddish song at the Pine Street Presbyterian Church.
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One of three children's programs to wind up a hectic and marvelous Scholar in Residence program at Congregation Beth El in Fairfield, CT. Lectures, singing programs, explorations of Yiddishkayt - and a debut concert of the new Leviton/Brody duo in concert! I'll happily come to your community, too!
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Yiddish Culture on St. Croix! I received the warmest welcome all across the island where I had the opportunities to teach a vocal arts class in a school, offer an adult papercutting workshop, lecture in the synagogue, and get the whole audience at the Reformed Church singing along in multiple languages! Cultural seeds planted and the smiles, voices, and hugs still linger in memory!
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The Judson Church off Washington Square was packed with well over 300 people on December 30, 2014, to honor the memory and brilliance of Adrienne Cooper, and to award Michael Wex with this year's Dreaming in Yiddish prize. Below is an image of the finale of the musical performance of the Kanonen song from Brecht and Weill's Threepenny Opera, translated from the German into Yiddish by Wex himself. An all-star band backed us as we belted out the Army Song and others, accompanied by the brilliant puppetry and staging of Great Small Works and Power Point translations which made the text a little less inscrutable! What a night! Singers below include Sarah Gordon, Eleanor Reissa, Tine Kindermann, Dan Kahn, myself, and others.
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A whirlwind arts week in Caldwell, NJ at Congregation Agudath Israel allowed me to open Jewish folk arts to energetic groups from preschoolers through elders. The tots sang and acted out Yiddish songs with costumes and props, the school students (4 larger groups) explored paper arts and traditional papercutting, and adults were treated to a series of lecture recitals, everything taking place in a large space where I hung over 35 works of framed art. What a fabulous arts residency for all of us together!
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Nearly 100 people attended a lecture/recital stitching together I. B. Singer's writing and the artists who illustrated his books as Susan sang her way through the bookshelves, Sunday, November 16, at Chisuk Emuna Congregation in Harrisburg, PA. This was the second event in the year's programming under a grant from the Koster Foundation.
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I was guest lecturer at Dickinson College today, October 6, singing my way through a program on Jews and Food. Unlike the light weight singalongs I often do on this topic, the class took food songs into the framework of Hasia Diner's examination of the place of food in Jewish life in the Pale of Settlement through acculturation in America. 15 songs unpacked! A great eye-opening experience for all!
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Heeding God's Call is a national organization working at a grassroots level to end gun violence and straw buying. On September 18, within days of two gun murders in Harrisburg, I participated in an interfaith program at the MLK Baptist Church in the heart of our city. We 'sang' Reisen's Dos Naye Lid together as the assembled crowd held colored cards with words in Yiddish and English.
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A happy bride at the huppah with her papercut ketubah! 'Tis the season, and I've been busy with commissions of all sorts!
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A full week of learning and teaching at the Havurah Summer Institute was a welcome experience again this year. Located at Franklin Pierce College in New Hampshire, about 300 Havurahniks from infancy to elder sage-age filled days and nights with enthusiastic work, food, music, and exploration. I taught classes in Yiddish song and helped create a soundscape for Tisha B'Av this summer. Loved it!!!
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A lovely way to begin the summer's KlezKamp's Wisconsin adventure was a solo concert at Chai Point in Milwaukee. Jill Gellerman and were welcomed to the beautiful facility and then I sang for and with a great crowd of elders, eager to be part of the action!
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Quite a surprise when I met the truck from Welch Signage in Maine, carrying the massive synagogue feature wall I had designed, to see a piece of my own artwork prominently displayed on both sides of the vehicle!
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I performed for over 100 people at beautiful Maris Grove in Pennsylvania's Delaware County on May 13. As part of the PA Humanities Council's program of Commonwealth Speakers, I was able to bring the sound of Yiddish to an audience largely unfamiliar with the language and culture. As always, common threads were immediately found!
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Verrry busy these days creating a synagogue feature wall, but I took time last week to be interviewed for Ted Merwin's article "The Aesthetics of Judaism" in The New York Jewish Week. Here's a quote: "For Susan Leviton, a ketubah-maker, paper-cut artist and Yiddish folk song performer ..., it was during the 1960s and ’70s, when many Jews flocked back to their roots, that Jews... 'took Judaism back into their own hands' and began braiding challahs and tie-dying prayer shawls. Hiddur mitzvah 'alters us as we fulfill a mitzvah or perform a ritual,' she told me. A Midrash (Song of Songs Rabbah 1.15) suggests that observance of the commandments makes Jews beautiful, even as Jews glorify God through hiddur mitzvot."
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An outpouring of love and creativity filled the room as we honored the memory of Adrienne Cooper and saw Jenny Romaine accept the first Dreaming in Yiddish award for her visionary work. Here's Susan on stage with Alicia Svigals, Jake Shulman-Ment, Benjy Fox Rosen, Aaron Alexander, Michael Winograd, and Dan Blacksberg, 12/21/13. (Photo by Bob Blacksberg)
When Goucher College Hillel welcomed a gift of two Torah scrolls, I was honored to craft mantles and wimples. So much silk! Garnet polished to look like pomegranate seeds! Text and the visions of students to work with! A grand experience.
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A totally spectacular group of artists, writers, social activists, and even puppeteers joined me for a week of creative work as I served as Artist in Residence at the 2013 National Havurah Conference Summer Institute in Rindge, NH. In 4 days of intense collective learning and creating, we built a musical theater production in a box (a cranky) and shared the story of the plight of needleworkers, past and present, with 300 others in a rapt audience!
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It was a beautiful day in Baltimore as the Jewish Museum of Maryland presented its annual Risch Memorial Program. I was delighted to be the featured performer, following brief, powerful presentations by Andres Salguero, Ssuuna, and the DC Turkish Folk Music Group. It always touches me to rediscover the points of connection among immigrant communities, regardless of geographic homes, cultures, and reasons for relocation. A brilliant celebration of cultures!
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Over 350 pieces of beautiful Youghiogheny Art Glass hand-cut, and now I'm on to wet-grinding the edges! It's a new skill that I'm happy to add to my resume as I take on the responsibility to create a soaring double wall of glass above the Torah ark for Chisuk Emuna Congregation in Harrisburg, building anew after a destructive fire in 2009. Check back in mid-May for a look at the completed wall!
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Getting closer to a new recording! Michael Winograd spent a day in the studio on March 28 with Frank London, Dan Blacksberg, Hadar Noiberg, and Alec Speigelman to lay down horn tracks for my as-yet-unnamed CD. Dan Kahn joined in as a special guest vocalist. Next will come strings and soon after that the mixing and mastering, printing and artwork, and OT AZOY! A new Yiddish recording!
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A whirl of creative activity has sent me to the sewing machine to craft two Torah mantles for Goucher College Hillel. One of the scrolls is a rescued Torah from Czechoslovakia, so armed with a palette of palest greys, golds, silvers, and ivories, I headed to Chinatown in NYC on a rainy day to seek silks! What a delight to discover Belraf Fabrics, owned by an Uzbeki couple. A trip around the world in fabric! Take a peek here are the first days' construction.
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I'll be guest lecturing at Dickinson College in Professor Ted Merwin's class during the week that we commemorate the 102nd anniversary of the Triangle Shirtwaist Fire. My program on the fire in words and Yiddish song continues to grow as I learn, and to sadly resonate as we all ponder how little has changed in global workplace safely in the last century. See "Upcoming Events" for details.
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Each year as KlezKamp ends, I proclaim, "This was the best ever!" And every year I mean it. And this year I mean it more! The staff concert nearly lifted the roof off what had been, in its glory days The Granite Hotel in the Catskills. My classes (traditional papercutting and "Our Lives are in our Songs") were filled with curious, thoughtful participants who challenged one another to take each idea to a new level. What an experience. Do not miss this next December!! (sneak peek? Check out the KlezKamp post under Upcoming Events for a video clip!)
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December 22, 2012. Kaye Theater in Manhattan. I soared on the energy of dozens of the finest performers of Yiddish song and Klezmer as we paid tribute to Adrienne Cooper's memory in a three-hour concert of the songs she most loved. What a thrill to sing 'Di Arbuzn' a cappella, in three parts with women performers including Alicia Svigals, Lauren Brody, Shura Lipovsky, and Marsha Gildin. It was both a humbling and energizing evening. Sing out!
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I've just been selected as one of ten 2013 Guild of American Papercutters/X-acto Masters. This means over the course of the coming year I will be testing tools and materials and interacting with other artists to hone our skills and increase interest in papercutting arts. Very exciting!
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Are you aware of the Commonwealth Speakers program under the PA Humanities Commission? Every two years, a roster of artists, story-tellers, historians, and musicians selected by the PHC are able to travel the state offering specific programs at no cost to groups (schools, libraries, state parks, etc.!) other than a basic application fee. I just returned from Ohev Sholom in Williamsport and will head to Reading on Thursday to bring Women's Voices in Yiddish Song to the Federation's Friendship Circle there. Visit the website at www.pahumanities.org and check it out! Free programming! What are you waiting for???
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It's been a long time coming, but here I am, immersed in the joy of working in collaboration with brilliant musicians as I prepare a new recording! Production is in the fine hands of Michael Winograd, and the initial tracks have been laid down with David Licht, Jake Shulman-Ment, Carmen Staaf, Garth Stevenson, and Avi Fox-Rosen, with Lauren Brody and others joining in soon! Hmm... mostly Yiddish, with some surprises mixed in, and everything from spare acoustic accompaniment to over-the-top orchestrations. There'll be more and more about the project as it emerges from its infancy, so watch for news! Perhaps a concert or cd release party in your neighborhood down the line...
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Kesher Zion Congregation in Reading, PA welcomed me as artist-in-residence for the weekend of November 9, 2012, as the congregation honored the memories of Dr. Robert Greenberg and Evelyn Blumberg. I was delighted to find myself in the company of the congregation's brilliant Rabbi Minna Bromberg and rooms full of enthusiastic people hungry to experience new 'takes' on Jewish culture. My programming included a presentation of Yiddish songs of spiritual yearning, a lecture on contemporary Jewish ritual art, and then a rollicking concert on Saturday night with the newly expanded Old World Folk Band! Be sure to check the "Upcoming Events" tab to see where else I'm scheduled to spread YIddish culture!
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I can't say enough about the wonderful Tree of Life Congregation in MORGANTOWN, WEST VIRGINIA, where I just spent a weekend as scholar in residence. If you go to my 'coming events' tab, you may see the whole arc of the weekend, but I want to focus here on the response to my "Rage Against the Sewing Machine" presentation on Saturday night, October 27. Among the folks in attendance were physicians, attorneys, and workplace safety experts who each added to a passionate conversation about the effects of completely unregulated natural gas extraction on West Virginians, coal miners' safety issues, and even the plight of disabled people in sheltered workshops who, like the needle workers of 100 years ago, are largely groups without a voice. 'The more things change, the more they stay the same.' And yet we still find inspiration to act for social justice when we learn and sing the songs of our forebears. "Give us bread and give us roses!"
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A radio interview for a BALTIMORE station (WVIE 1370) allowed me to share some insights into the history of labor activism in the United States on September 2, 2012 - Labor Day weekend. So much more meaningful than running to sporting goods stores for sale items, this was a chance to engage listeners in anthemic Yiddish songs and their contexts. So many songs... so little time! But every time a Yiddish song is SUNG, it lives a new life.
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It's late summer, so a trip to the BLOCK AND HEXTER VACATION CENTER in Poyntelle, PA came around on my calendar. My teaching schedule allowed me to alternate sessions with fellow presenter Saul Silas Fahti, as we worked to expand the artistic, musical, polititcal, and in Saul's case, even cosmological horizons of the elders who flocked to the Poconos to participate, learn, and (it's a Jewish camp!) eat 3 squares a day. Whether singing, lecturing, or engaging in issues, I always learn from interactions with program participants. One highlight this year was meeting two Hungarian-born sisters who offered me a macaronic (mixed language) song that alternates lines between Hungarian and German/Yiddish. Will it make the cut on my upcoming recording? Stay tuned!
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A quick trip to MADISON, WISCONSIN as part of "A Bisele KlezKamp" on July 22 was a terrific bright spot in a busy summer season! Over 200 people buzzed around programming by some of the best teacher/artists in the Yiddish folk arts world as Michael Wex, Cookie Segelstein, Lauren Brody, Henry Sapoznik, Sherry Mayrent, Miriam Isaacs, David Spies, Sara Gordon, Kurt Bjorling, Steve Weintraub, and I managed to compress a week's worth of learning into one fabulous day. Keep up-to-date with U. OF WISCONSIN'S MAYRENT CENTER to find out what Yiddish programming will be offered throughout the year before our triumphant return next summer!
On Friday night prior to 'ABKK' I was hosted by Congregation Shaarei Shomayim where I presented an a cappella lecture/recital titled "Healing the World in Yiddish Song." Given the political upheavals and charged emotions in Madison these days, the program was a welcome one. The room was packed with people of all ages, and it was a special joy to me to be singing in a room within Frank Lloyd Wright's historic Unitarian Church, where the congregation meets regularly.
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Lauren Brody and I head to PITTSBURGH on June 3 for two concerts, a family event in the morning, and a full concert in the late afternoon at the JCC, in conjunction with the Jewish Museum's exhibit on the artists who illustrated the works of I.B. Singer. We're working up new material and are delighted that both PennPAT and the PA Humanities Council are supporting the program with generous grants. Come celebrate Yiddish culture!
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Healing the World in Yiddish - This lecture/recital program drew people from a wide variety of backgrounds and ages to a program sponsored but DICKINSON COLLEGE, the Literary Heritage Fund, Association for Jewish Studies, and the Jewish Federation of Greater Harrisburg on April 24. With PowerPoint translations and even a visit from Dan Kahn and the Painted Bird on screen, we explored the drive for human rights that infuses Yiddish song, and the activism that the songs inspire. As part of a series titled "Telling Jewish Stories through the Arts," the evening's riches were obvious as participants lingered over tea and cake and shared the stories that bubbled up in response to the presentation. What a great night!
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On Sunday, April 1, the Jewish Federation of Greater DAYTON and the Lynda A. Cohen Yiddish Club welcomed Lauren Brody and me for a concert. It was the first time that Lauren and I had the opportunity to present a full concert and we felt like siblings on the stage, finding parallel expressions of meaning and intention in her accordion and my voice without even a nod or a word. Utilizing the full range of her instrument, Lauren crafted a unique setting for each song, and the 'whole cloth' was fantastic.
We're already warming up for an upcoming event in June, so stay tuned for details!!
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MAURICE SENDAK! I write this on the day of Maurice Sendak's passing. (If you haven't heard both the recent Fresh Air interview and the hilarious pair of Colbert interviews with the incomparable Mr. Sendak, go find them NOW and come back here in an hour...) I am grateful and humbled to have had the opportunity to spend several months immersed in the life and work of Mr. Sendak, preparing for a program built around the Rosenbach's exhibit of the influences of his Jewish world on his life's work. So on Sunday, April 15, the Haverford Public Library swelled with the sounds of Klezmer as I took over the children's wing of the library to present "Yiddish in the Nutshell" with Ken Ulansey on clarinet and Heath Allen on keyboard. Sendak's early life in a Yiddish-speaking immigrant neighborhood in Brooklyn, the awareness of evil in the world, and the fears and bravery of children shaped much of his life's work, and I blended his personal life into songs and stories for a rollicking hour. The program was interactive, with sing-alongs, props, costumes, and wild Sendakian tales abounding. It was a Yiddishe Vilde 'Rumpus' for everyone's inner child! Pick up a book by Maurice Sendak and look deeply into it. You may be changed!
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LAFAYETTE COLLEGE Hillel hosted me on Tuesday night, March 20 for a program in song and story on the actual history of the Sarajevo Hagaddah. It was a real one-woman show as I demonstrated design, lettering, and gilding techniques of the centuries-old masterpiece, as well as recounted its improbable story interspersed with songs in the Sarajevo dialect of Judeo-Spanish, in Yiddish, and in Hebrew, along with a Moroccan chant - all related to the Hagaddah. The audience included students, college faculty, and local residents, and there was a lively Q and A at the conclusion of the program. Lafayette has a gorgeous old campus perched above the city of Easton at the confluence of the Delaware and Raritan rivers. I hope to return!
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LAUREN BRODY will join me in presenting a full concert in Dayton, Ohio on Sunday, April 1 for the annual event honoring the memory of Lynda A. Cohen. We are thrilled to have the opportunity to share the stage and have been working up two terrific sets for the Yiddish club and expected gathered throngs!
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A presentation of my concert "Women's Voices in Yiddish Song" at Penn State University in Middletown, PA on February 23 drew people from Lancaster, York, Lebanon, and the greater Harrisburg area. Having been interviewed for an upcoming article in a Dayton, Ohio paper the night before, I kept thinking during the concert of a particular question I was asked: "What do you want people to take away from your performance?" So I'll tell you: I want people to be so surprised and touched that they come away with a desire to dig a little deeper into Yiddish culture and discover something about themselves. The values and history that are packed into our songs go far in teaching us how to know ourselves if we just open our hearts a bit. That's why I sing. Oh, and also, I sing because I can't NOT sing!!
Only a week to go before Kerhonkson, NY becomes the temporary capital of Yiddishland! This year at KlezKamp I'll be teaching the hands-on papercutting course and a four-session a capella lecture/recital course.
I'm especially looking forward to the time I'll be carving out with fellow PennPAT artist SUSAN WATTS to work on some vocal duets and arrangements, and to begin taking concrete steps towards my NEW RECORDING, which will be produced by the amazing MICHAEL WINOGRAD! Check this website regularly for announcements, too, of a new duo in the works featuring MICHAEL WEX and Susan Leviton. Use your imagination for now - details to follow soon!
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On Sunday, November 20, 2011, I presented a "Conversation with the Artist" in conjunction with the "Making it Better: Folk Art in Pennsylvania Today" exhibit in which one of my papercuts is featured. I demonstrated the art of Jewish papercutting and shared insights into its history and contemporary expressions with about 30 museum-goers. On exhibit through April 29, 2012, Making It Better tells the stories of over 30 master artists whose works represent a wide array of traditions such as African dance, stone wall construction, Native American clay flutes, Pysanky eggs, contemporary blacksmith work, woodcarving, and Vietnamese funerary portraits. I'm honored to have been chosen to have my work represented among so many brilliant examples of folk arts.
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Groundbreaking for Chisuk Emuna Congregation's new synagogue took place in Harrisburg on Sunday, October 16, 2011, and over 350 people celebrated with a block party that featured kugel in a sukkah, carnival food, games and abundant crafts for children, and an afternoon of outstanding music: klezmer, jazz, and old-timey. Bands set up on a concrete pad at one end of the soon-to-be-a-shul property, and music filled the air! I had the pleasure of singing once again with the Old World Folk Band, which has recently welcomed several new musicians as regulars, and which added additional guest performers for the outdoor event.
The synagogue was destroyed by an accidental fire in 2009, and more recently was left homeless when The Flood of 2011 forced the congregation from temporary quarters in the JCC. The sense that the next plague was waiting in the wings was banished by the wonderful welcome to a new neighbrhood, and it looks like the block party may become an annual event!
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A whirlwind few days at the 14th annual IAYC (International Association of Yiddish Clubs) conference in Novi, Michigan offered me the opportunity to perform and teach, and to meet people from all over the country who gathered to celebrate Yiddish culture. Highlights for me were presenting my powerful lecure/recital, "Rage Against the Sewing Machine" in this 100th anniversary year following the Triangle Fire, and joining Dan Kahn on the bandstand following my solo concert.
To see parts of one of my programs at the conference, please visit www.yiddishlives.com/susanleviton
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