Macrame Ketubah

Posted by on Jun 7, 2011 in Ketubah Art, News | 0 comments

Macrame Ketubah

This intricate piece of fiber art tells a story!   The ketubah was designed for a couple, each of whom had been married and had raised children before finding each other and beginning a whole new life together.   The delicate macrame is crafted of perle cotton with tiny beads and mirrors worked in here and there.   The story of the fiber art is that of their individual and then united paths:  highly structured and tightly knotted at the beginning, then unraveling and leading to some ‘loose ends’, and then finally coming together is a beautiful new pattern, as yet unfinished, and leading off the paper edge.   A tiny mirror worked into the design at the upper right reminds them to look inward and be true to themselves.   The long twisting tassel on the far right is knotted as the tsitsit are knotted, to acknowledge their abiding connection to a Jewish life. Crafting a piece like this offers me many personal gifts:  I come to know two people in ways I would not otherwise.   The nature of this type of fiber art is that it is quite labor intensive and meditative, and so it allows me to hold the couple in mind as I make choices over and over about color, design and embellishment – it becomes an intentional piece of art as it evolves.   And I have the opportunity to envision an artistic whole that involves more that two dimensions and is more than applying ink or paint to...

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Cityscape Ketubah

Posted by on Jun 7, 2011 in Ketubah Art, News | 0 comments

Cityscape Ketubah

People often sit with me (or Skpye, or email, or otherwise connect) as we get to know one another and develop a ‘shopping list’ of what’s to go on the ketubah.   Then it’s up to me to help them with a weeding process and take the final list and turn it into an aesthetic whole. This couple wanted their deep love for their hometown to be reflected in the ketubah, so pictures, postcards, and an extensive on-line search gave me enough material to place the two of them on the far shore of the river looking back at their city.  The purple/black tulips and pomegranates reach towards one another at the top, and the text from Avot is lettered in the same colors as the city and river scene. It’s important when laying out text that wraps around a piece, as the circular ring of writing here from Shir HaShirim and the outer border lettering do, to be sure that the writing is legible without having to stand on one’s head to read it!!   Thus the layout process involves more than even spacing.  I always manipulate the words so they are not a distraction, but an enhancement of the overall design.  ...

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Peacock 50th Anniversary Ketubah

Posted by on Jun 7, 2011 in Ketubah Art, News | 2 comments

Peacock 50th Anniversary Ketubah

After 50 years, this couple chose to mark their anniversary with a beautiful ketubah.  The ring of naturalistic spring wildflowers and the very specific spring green used for lettering the text captured their joy at finding themselves at this wondrous milestone. Peacocks are an obvious symbol of beauty in many parts of the world, but within Yiddish culture di goldene pave (the golden peacock) stretches beyond that as a literary symbol of the perpetuation of the culture.  The peacocks that flank the top of the ketubah ring are flecked with gold leaf as a nod towards that part of our...

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Papercut Roses

Posted by on Jun 7, 2011 in Ketubah Art, News | 0 comments

Papercut Roses

  Entering into a second marriage, this couple was interested in acknowledging their new blended family and chose to represent themselves and their five children with one papercut rose each.   The non-traditional, all English text of this document indicates a direction that some people are taking when dipping into a two thousand year old formula and finding a personal voice. Papercut art has a long history in the Jewish world, and this use of an Arts and Crafts architectural format and color palette in a meaningful Jewish document is in perfect keeping with the way in which ketubah art has always offered a snapshot of Jewish life set in time and place.  After the design of such a papercut work, the most painstaking part of the execution is in fitting the color behind the piece.  With only thin lines separating segments, the painted colors must be cut and set in on the back of the work with meticulous care. I work with a wide range of lettering styles (referred to as ‘hands’) in both Hebrew and English.   This had is a modernized form of Carolingian English lettering, which seems to work well with the overall...

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Ketubah of the Cosmos

Posted by on Jun 7, 2011 in Ketubah Art, News | 0 comments

Ketubah of the Cosmos

About-to-be world travelers and visionary activists, this couple had a very clear ‘look’ in mind, but left the details to me.   The background painting was built up with multiple washes of watercolor until the saturation of color was deep enough to hold the white lettering.  Gold leaf applied to a splattering of gesso added just the right touch to the depth of rich color. This is really a very simple piece but spectacular because it is vivid and deep.  The watercolor was ‘worked’ on the surface while wet to create unusual textures and...

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A Year in Trees Ketubah

Posted by on Jun 7, 2011 in Ketubah Art, News | 0 comments

A Year in Trees Ketubah

The bride came to me with a picture of her parents’ ketubah, and asked that I create a parallel piece.  They simply wanted a very large oval ketubah with stylized trees around it – like her parents’.   With a few sketches I was able to show them that ‘like’ doesn’t have to mean ‘the same,’ and I took off on designing very different and uniquely individual trees to ring the ketubah. No two trees are alike, and each one moves visually ever so slightly towards the next season.  Even in the deep winter section, the trees hold tight buds, anticipating spring.  The color palette is emphasized by introducing color each time the name of the bride or groom appears in the body of the ketubah, as was the couple’s request. So detailed is the ketubah art that a full year after the wedding, the bride and groom had still not located the tiny Goldfish cracker that they’d requested be tucked into the design.  I assured them it was there and that they should scrutinize the autumn...

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