Posted by on Sep 21, 2016 in Jewish Ritual Art, News, Public Art, Visual Art | 0 comments


When Torah mantles are commissioned for the High Holidays, there’s a good chance that the ‘theme’ and the ‘color palette’ will take a committee a minimal amount of time to determine.  Still, as I work with groups, I try to elicit enough to make the final product a perfect fit.  For this project, I asked the committee members, the rabbi, the ritual committee, and other interested congregants to tell me, “What do you want to ‘feel’ when the ark opens on Rosh Hashana?  Not specific images, but instead abstract thoughts about that moment of invitation to go deep into self-examination and hope for the new year.” Three pages of madly transcribed ideas led to what you see above.


One of the five Torah mantles, each featuring a different mix of quilted earth-toned silks on soft, highest quality chenille, with hand stitching and five colors of Swarovski crystals, build on a committee’s charge to create a set of mantles that would inspire introspection with simplicity.  A trip to the garment district in New York City led me to the wonderful gem of a shop called Metro Textile where Kashi spread out a world of beautiful cloth.  Fabulous Kansas-based wood turner Tom Boley handcrafted the maple rings for the tops of the mantles. The wood tops are heavily padded – a surprising pleasure  to handle when the Torah is to be dressed.img_1361-1

Everything about these covers is a delight and an inspiration.  They are heavily quilted and lined, measured specifically to fit each of the Torah’s specs, and made for years and years of use.

Congregants’ reactions to the mantles included these comments:  “I saw the Kotel right away – all the different shapes and soft colors of the wall…” “I saw manna coming down from heaven – and a reaching up from earth.”  “Connections between Heaven and Earth.”  “Exquisite simplicity.  Perfect for the season!”

Work in progress:


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